![waves vs uad plugins waves vs uad plugins](https://i.ytimg.com/vi/Fi-RUAGsNuE/hqdefault.jpg)
We could write pages about potential ways of sampling in gear, but ultimately we feel that what you should be listening for is the tone of the reverb and how that appeals, or doesn’t to you.
WAVES VS UAD PLUGINS PLUS
At Gearshoot we use the specifications from the manufacturer when sampling in gear, for a number of reasons it shows the gear the way they intend the end user to hear it and use it, plus secondly, adjusting every reverb setting to be exactly compliant in the maximum number of possible factors takes an enormous amount of time and may mislead the end listener away from the actual ‘dial up sound’ of the unit. And even though they may be using RT60 for decay, it seems that the decay curves differ (which can also be as a function perceptually from any EQ filtering), which of course will give a different sound and perceived length for the Reverb tail. One thing to note for the shootouts - on Reverb Plugins (well from our experience anyway) there are differences between manufacturers in how they seem to spec the ‘mix level’ of their units. We’ve made a number of presets that you can compare to listen and learn, click the link to open it in a new tab, and then check them out in relation to what we found (below).
![waves vs uad plugins waves vs uad plugins](https://consordini.com/wp-content/uploads/2020/10/waves-scheps-omni-channel-vst-plugin.jpg)
So, how do these stack up against each other in a shootout? Here’s what they look like - If you want to go direct to the SHOOTOUTS CLICK HERE
WAVES VS UAD PLUGINS UPDATE
So, we will be comparing and shooting out the 2445 against another new emulation of an old reverb - UAD’s EMT 250 and also a couple of new digital reverbs - the FabFilter Pro-R, Waves TrueVerb and Valhalla Room.Įxtra for experts - We also have an interview with Mateusz Wozniak of PSP coming shortly where he explains in depth how they created the 2445 and ways to get even more out of it so if you want to get an advance update and access to that CLICK HERE The 245 was a slightly later revision of the 244, featuring some more added controls and a different conversion engine that was 16 bit with a 18 kHz Sample rate. Having 16 bit converters with a rolled off frequency response it is a very colourful sounding reverb with a distinctive lack of top end. the EMT 250 from 1975), so we thought it would be interesting to see how it stacks up against other reverb emulations and some modern equivalents. One of their reverbs captured our interest recently, being that it is an emulation of some legendary digital reverb units from the semi distant past (the EMT 244 from 1979, and the 245 from 1981) is their 2445 Reverb.Īs some extra background, the 244 was one of the first digital Reverbs (coming after e.g. They have plugins ranging from precise mastering EQs through to colourful vintage emulations of gear, metering packages and some really handy effects. PSP is a developer of high quality audio plugins that have become a staple in many audio engineers diets.